990 Royalty-Free Audio Tracks for "False Chord"

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Diminished triad on B, as MIDI

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Alternate augmented ninth chord on C.

D♭7♯11 chord = G7alt chord.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Dominant thirteenth: four-voice version.

Dominant thirteenth chord in four-part writing.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Viennese fourth chord.

Just minor seventh chord (48:40:32:27) on C.

Just minor seventh chord on C.

Major triad on C. Created using Sibelius.

Neapolitan sixth in C minor.

Thirteenth chord CMA13(sharp11).

Generating chord for Michael Torke's Vanada (1984).

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

Elektra chord: E B Db F Ab.

Dominant seventh in C in first inversion

Secondary chords in Maria Wolowska Szymanowska's Nocturne in B-flat Major, mm.1-5.

Farben chord.

Augmented triad on C, As MIDI

Quarter-comma meantone major chord on C.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

C triad open position.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Eb major triad, MIDI file

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

This is a piece of music i made in fl studio. The hits are really hard so you may want to turn down your volume a bit.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Just major seventh chord on C (8:10:12:15).

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.